The long-awaited, never-before-told, no-holds-barred memoir from the legendary Aerosmith frontman. Finally, all the lurid tales of debauchery, sex, drugs and rock n' roll are told straight from the horse's lips as The Demon of Screamin' describes his unimaginable highs and unbelievable lows as lead singer of the biggest rock band in the world. Prolific frontman, rock icon and sex symbol, Steven Tyler is a living legend. With his raw, sharp-edged vocals, musical versatility and unprecedented song writing skills, Tyler has, as lead singer of Aerosmith, sold millions of records and played sell-out concerts to as many as 450,000 people. Now, at last, he tells his own story, taking us on a wild rollercoaster ride through the bust-ups, binges, orgies and good old American excess in the jaw-droppingly honest, in-your-face way that only Tyler can. Following a fateful meeting with his 'mutant twin' Joe Perry in the summer of 1970, Aerosmith was formed...and the rest, as they say, is rock history. They released their first album in 1973, and by 1976 Aerosmith had gone from being nobodies to massive to off the radar, making history as a multi-platinum, chart-topping band. But with great success comes great excess. Nicknamed the Toxic Twins for their insatiable appetite for drugs, booze and women, Tyler and Perry got caught up in the glamour of self-destruction - smashing each other up with guitars, having seizures and passing out on stage. By 1980 it seemed that the band and its members were set to implode, but after successful stints in drug rehab, Aerosmith were back on track and better than ever. But although he may have given up his wicked, wicked ways, Tyler still enjoys talking about the bad old days. He has so many outrageous stories to tell, and he's gonna tell them all. All the uncensored, head-spinning tales of debauchery, sex, booze, transcendence and chemical dependence you will ever want to hear. As raucous, intoxicating and edgy as his music, this is the most outrageous rock n' roll autobiography of all time.

The Number One Sunday Times Bestseller Forty years after his death, Elvis Presley remains one of the world's most beloved and iconic figures. There has been an impressive array of bestselling Elvis books over the years, but there has never been a book like this. Now, for the first time, Elvis, the man, husband father and artist, is remembered intimately and honestly by his ex wife Priscilla, daughter Lisa Marie and other close family members. Including deeply personal documents and previously unseen family photographs, this sensational book also features new interviews with family and friends. From personal diary entries to unearthed artefacts, Elvis by the Presleys is a publishing phenomenon and comes closer than any other book in revealing the private dreams and truths of the extraordinary and complex man, who became the king of Rock and Roll.

This is the book that restarted the James Dean cult by celebrating him as the cool, defiant visionary of pop culture who made adolescence seem heroic instead of awkward and who defined the style of rock 'n' roll's politics of delinquency. The only book to fully show how deliberately and carefully Dean crafted his own image and performances, and the product of still unequalled research, vivid writing, intimate photographs, and profound meditation, James Dean: The Mutant King has become almost as legendary as its subject.

"It has been an honor to be associated with David Dalton's work for many years, witnessing his skills as a healer and teacher.... David combines an extraordinary passion for both plants and people." -Patricia Kaminski, director of The Flower Essence Society, Nevada City, California "This is an outstanding resource.... David writes from his rich experience as a therapist and flower essence practitioner in presenting each flower portrait with clarity and fullness. I am especially grateful for the way David has moved beyond descriptions and indications to more fully develop the true character of each essence and the personality traits of those who could benefit from each of these 'stars.'" -Kate Gilday, herbalist, Woodland Essence, Cold Brook, New York "David Dalton has made an inestimable contribution to the study and use of flower essences. His work deepens the understanding of the particular energetics of flowers, as well as providing a system of diagnosis and use. Attention especially to herbalists and lovers of the plant world: in Stars of the Meadow, you will re-meet many medicine plants you are familiar with in a new and profound way." -Claudia Keel, Earthflower Herbals Flower essences are liquid, energetic remedies derived from living flowers. They bring the natural dynamic energy of the plant directly into the human electro-system, where they work to bring about movement toward health and balance. Because of their energetic and living quality, they work directly and deeply in the emotional system, assisting in the release of early wounds and trauma. These suppressed imprints are considered to be a main causes of many types of diseases or imbalances today. Flower essences are a perfect complement to many of today's health practices. They enhance the effects of energy work, physical therapy, acupuncture, psychotherapy, cranial-sacral work, massage, aroma therapy and many other forms of healing and treatment. Flower essences are safe, natural, and non-toxic. Continuing the work of Edward Bach, Stars of the Meadow looks deeply into the relationship between health and the human personality. David Dalton takes us on a thorough and soulful exploration of how to use more than forty medicinal herbs as flower essences, portraying each flower in a way that is both substantive and inspired. Each description is organized to present a picture of how the flower essence affects the adult personality as it has been formed through life, and describes its direct clinical effects on children and animals. Dalton also connects different types of flowers-based on the number and arrangement of petals as well as associated colors and qualities-to the system of human chakras, or energy centers. This innovative approach allows the reader to discover new ways to employ flower essences to focus on specific areas of one's being, from the most physical to the highest levels, allowing a kind of flexibility rarely found in any single system of healing. Stars of the Meadow is a valuable guide not only for those who are new to flower essences, but also for seasoned herbalists who wish to deepen their knowledge of this effective method of healing body, mind, and soul.

A teen idol of the 1950s who virtually invented the singer/songwriter/heartthrob combination that still tops pop music today, Paul Anka rocketed to fame with a slew of hits--from "Diana" to "Put Your Head on my Shoulder"--that earned him a place touring with the major stars of his era, including Chuck Berry, Jerry Lee Lewis, and Buddy Holly. He wrote Holly's last hit, and just missed joining the rocker on his final, fatal plane flight. Anka also stepped in front of the camera in the teen beach-party movie era, scoring the movies and romancing their starlets, including Annette Funicello.

When the British invasion made his fans swoon for a new style of music--and musician--Anka made sure he wasn't conquered. A rapier-canny businessman and image-builder who took his career into his own hands--just as he had from the very beginning, swiping his mother's car at fourteen to drive himself, underage, to his first gigs in Quebec--Anka toured the world until he could return home in triumph. A charter member of the Rat Pack, he wrote the theme music for "The Tonight Show" as well as his friend Frank Sinatra's anthem "My Way." By the 1970s, a multi-decade string of pop chart-toppers, including "Puppy Love" and "(You're) Having My Baby," cemented his status as an icon.

"My Way" is bursting with rich, rollicking stories of the business and the people in Anka's life: Elizabeth Taylor, Dodi Fayed, Tom Jones, Michael Jackson, Adnan Khashoggi, Little Richard, Brooke Shields, Johnny Roselli, Sammy Davis, Jr., Brigitte Bardot, Barnum & Bailey Circus acrobats, and many more. Anka is forthcoming, funny and smart as a whip about the business he's been in for almost six decades. "My Way" moves from New York to Vegas, from the casino stage to backstages all over the world. It's the most entertaining autobiography of the year.

Thoughts shape our reactions, tailor our responses, and contribute wholeness to our psychological well-being, while shaping our spiritual attributes and structuring our relational interactions. In Coffee Thoughts, author Dr. David Dalton offers reflections to help shape and analyze our thoughts.

Throughout this guide to managing your own thought processes, Dalton explores some of the doubts, fears, and perplexities he has experienced in various life situations and illustrates how he found comfort and guidance in his spirituality and in simple pleasures. He presents forty reflections followed by personal coaching questions, covering a host of life experiences: Reflecting deeply Embracing the situation Learning to trust Rediscovering one's gifts Admitting weakness Expressing the beauty of today Exhibiting faith among life's challenges

Intended for daily use and study, Coffee Thoughts offers a gentle and relaxed way of approaching what is often one of our most feared challenges, "the remaking of ourselves."

Thoughts shape our reactions, tailor our responses, and contribute wholeness to our psychological well-being, while shaping our spiritual attributes and structuring our relational interactions. In Coffee Thoughts, author Dr. David Dalton offers reflections to help shape and analyze our thoughts.

Throughout this guide to managing your own thought processes, Dalton explores some of the doubts, fears, and perplexities he has experienced in various life situations and illustrates how he found comfort and guidance in his spirituality and in simple pleasures. He presents forty reflections followed by personal coaching questions, covering a host of life experiences: Reflecting deeply Embracing the situation Learning to trust Rediscovering one's gifts Admitting weakness Expressing the beauty of today Exhibiting faith among life's challenges

Intended for daily use and study, Coffee Thoughts offers a gentle and relaxed way of approaching what is often one of our most feared challenges, "the remaking of ourselves."

To his critics, he was the cynical magus of a movement that debasedhigh art and reduced it to a commodity. To his admirers, he was the mostimportant artist since Picasso. As the quintessential Pop artist, Andy Warhol razed the barrier between high and low culture.

Pop disentangles the myths of Warhol from the man he truly was, offering a vivid, entertaining, and provocative look at the legendary artist's personal and artistic evolution during his most productive and innovative years. It is a dynamic, groundbreaking portrait of the man who changed the way we see the world.

As a manager for the Grateful Dead, Rock Scully was with the band from its early days in San Francisco to the years it spent touring the globe as one of the most enduring legends in music history. In Living with the Dead , Scully gives a complete account of his outrageous experiences with the band, during years that saw the Grateful Dead transform from a folksy revivalist band to psychedelic explorers of outer space. In addition to close-up portraits of band members Jerry Garcia, Bob Weir, Pigpen, Phil Lesh, Micky Hart and Bill Kreutzmann, Scully brings into the story many of the people the Dead encountered in their journeys across America's musical landscape, including Ken Kesey, Janis Joplin, Etta James, Bob Dylan, Paul Simon, and the Jefferson Airplane. Scully tells the story of the band with genuine feeling; the tour disasters, acid trips, and burnouts, but most importantly the exaltation of delivering fantastic music.

From pop stardom through the depths of addiction to her punk-rock comeback, Marianne Faithfull's life captures rock 'n' roll at its most decadent and its most destructive. Faithfull's first hit, 1964's "As Tears Go By," opened doors to the hippest circles in London. There she frolicked with the most luminous of the young, rich, and reckless, including Bob Dylan, the Beatles, and the Rolling Stones. Her legendary affair with Mick Jagger produced one hit single, "Sister Morphine," and countless headlines. Faithfull left the relationship a strung-out junkie. Struggling to kick drugs and revive her musical career, she recorded Broken English in 1979, an edgy, hard-hitting, critical triumph. As honest in her autobiography as in her music, Faithfull is a searing, intimate portrait of a woman who examines her adventures and misadventures without flinching, without apology.

Meat Loaf's bizarre and spectacular life story is scarcely credible. After surviving an abusive childhood, during which he was almost murdered by his alcoholic father, he starred in one of the biggest stage and film musicals ever, then went on to record the third best-selling album of all time. To Hell and Back is the true story of a man who ran away from a cruel home life at 17 and starred in the legendary Rocky Horror Picture Show before turning to rock 'n' roll. His first album, Bat Out Of Hell, was considered so uncommercial by his first record label that they dropped him - only for it to go on to sell 20 million copies worldwide. He then spent the 1980s on the skids, with a severe drink and drugs problem and mounting money problems leading him to a nervous breakdown, before making a triumphant comeback with 1993's album Bat Out Of Hell II and colossal hit single 'I'd Do Anything For Love'. This is an extraordinary story and a classic rock autobiography.

Robo Sacer engages the digital humanities, critical race theory, border studies, biopolitical theory, and necropolitical theory to interrogate how technology has been used to oppress people of Mexican descent—both within Mexico and in the United States—since the advent of the North American Free Trade Agreement (NAFTA) in 1994. As the book argues, robo-sacer identity emerges as transnational flows of bodies, capital, and technology become an institutionalized state of exception that relegates people from marginalized communities to the periphery. And yet, the same technology can be utilized by the oppressed in the service of resistance. The texts studied here represent speculative stories about this technological empowerment. These texts theorize different means of techno-resistance to key realities that have emerged within Mexican and Chicano/a/x communities under the rise and reign of neoliberalism. The first three chapters deal with dehumanization, the trafficking of death, and unbalanced access to technology. The final two chapters deal with the major forms of violence—feminicide and drug-related violence—that have grown exponentially in Mexico with the rise of neoliberalism. These stories theorize the role of technology both in oppressing and in providing the subaltern with necessary tools for resistance. Robo Sacer builds on the previous studies of Sayak Valencia, Irmgard Emmelhainz, Guy Emerson, Achille Mbembe, and of course Giorgio Agamben, but it differentiates itself from them through its theorization on how technology—and particularly cyborg subjectivity—can amend the reigning biopolitical and necropolitical structures of power in potentially liberatory ways. Robo Sacer shows how the cyborg can denaturalize constructs of zoē by providing an outlet through which the oppressed can tell their stories, thus imbuing the oppressed with the power to combat imperialist forces.

Robo Sacer engages the digital humanities, critical race theory, border studies, biopolitical theory, and necropolitical theory to interrogate how technology has been used to oppress people of Mexican descent—both within Mexico and in the United States—since the advent of the North American Free Trade Agreement (NAFTA) in 1994. As the book argues, robo-sacer identity emerges as transnational flows of bodies, capital, and technology become an institutionalized state of exception that relegates people from marginalized communities to the periphery. And yet, the same technology can be utilized by the oppressed in the service of resistance. The texts studied here represent speculative stories about this technological empowerment. These texts theorize different means of techno-resistance to key realities that have emerged within Mexican and Chicano/a/x communities under the rise and reign of neoliberalism. The first three chapters deal with dehumanization, the trafficking of death, and unbalanced access to technology. The final two chapters deal with the major forms of violence—feminicide and drug-related violence—that have grown exponentially in Mexico with the rise of neoliberalism. These stories theorize the role of technology both in oppressing and in providing the subaltern with necessary tools for resistance. Robo Sacer builds on the previous studies of Sayak Valencia, Irmgard Emmelhainz, Guy Emerson, Achille Mbembe, and of course Giorgio Agamben, but it differentiates itself from them through its theorization on how technology—and particularly cyborg subjectivity—can amend the reigning biopolitical and necropolitical structures of power in potentially liberatory ways. Robo Sacer shows how the cyborg can denaturalize constructs of zoē by providing an outlet through which the oppressed can tell their stories, thus imbuing the oppressed with the power to combat imperialist forces.

Few American artists are as important, beloved and endlessly examined as Bob Dylan, yet he remains something of an enigma. This kaleidoscopic biography, full of the voices of Dylan's family, friends, and fellow travelers through the 60s, offers an entirely fresh narrative perspective, fusing rock star bio with an examination of the music and the zeitgeist that he so mysteriously captured. For almost half a century, Bob Dylan has been a primary catalyst in rock's shifting sensibilities. He has starred in and been the subject of major films; his work is taught in over 200 college courses; and few American artists are as important, beloved, and endlessly examined as he is. Yet, he remains something of an enigma. Who, we ask, is the "real" Bob Dylan? Is he Bobby Zimmerman yearning to escape Hibbing, Minnesota, or the Woody Guthrie wannabe spending the 1960s playing Greenwich Village haunts? The protest poet, the Factory fixture, or the born-again Christian denying the powers of prophecy everyone attributes to him? The events of his life alone do not tell us all we want to know. Now, David Dalton, author, screenwriter, journalist, and founding editor of Rolling Stone, paints a revealing portrait of the rock icon that will be a must-have for his legions of fans. Guided by Dalton's masterful hand, this book will follow Dylan's imaginative life, integrating actual events from his life, Dylan's words, and those of the people who know him most intimately. Drawing upon extensive interviews with Dylan's friends, family, and fellow eyewitnesses to the zeitgeist-including Joan Baez, Keith Richards, Bobby Neuwirth, Kris Kristofferson, Suze Rotolo, Clive Davis, Tom Petty, and others-this book will provide a new perspective on the man, the myth, and the musical era that forged them both.

In 1972, Stonehill Books published David Dalton's "Janis," a multimedia extravaganza that incorporated interviews, quotes, photographs, lyrics, "Rolling Stone" Clippings, sheet music, a record of rapping and singing, and prose as wild and moving as Janis's performances. "Piece of My Heart" is a reconstruction and revision of that early work - one of the first "rock 'n' roll" books--leaving the prose and interviews intact, adding dozens of new photos, and incorporating a wealth of new material. Here is the best possible portrait of the lonely teenager from Port Arthur, Texas, who took the blues farther than anyone before or since, offering revealing glimpses of her on the road--backstage with Jerry Lee Lewis, kidnapped in Kansas, partying with the Grateful Dead, the Band, Bonnie and Delaney, and with her own band, Big Brother and the Holding Company. But "Piece of My Heart" goes beyond Janis's own story to provide us with a portrait of the Kosmic Blues themselves--the self destruction that lies at the heart of the rock' n' roll myth.